DPA SC4060 omni lavalier microphone- SC4060-BM
£340.00 ex. VAT £408.00 inc. VAT
Originally designed for use with wireless systems in theater, television and close-miked instrument applications, the d:screet™ SC4060 Miniature Omnidirectional Microphone, Hi-Sens is highly unobtrusive. Because of its small size, it exhibits an exceedingly accurate omnidirectional pattern and therefore does not need to be aimed directly at the sound source to achieve quality pickup.
The DPA d:screet™ 4060 was the very first miniature microphone developed by DPA from the best technology previously only used in hearing aids and measurement microphones.
The series was developed to withstand the toughest of conditions. They contain a 5.4 mm diameter pre-polarized condenser element with a vertical diaphragm. This unique, Double Vent Protection System makes the mics greatly resistant to humidity and sweat. These mics are also designed with a Kevlar-reinforced cable relief, which is built to withstand the constant twists, bends and pulls that are part of the everyday use in harsh environments.
The acoustic response of the d:screet™ 4060 Series can be modified by selecting the correct grid for the job. Two grids are supplied with each microphone (not the d:screet™ 4071, which includes a fixed grid). The pre-fitted Soft Boost Grid gives a 3 dB soft boost at 8-20 kHz. It should be used when the microphone is mounted on the performer’s head as well as in most other applications where you need a natural-sounding microphone. When fitted, the High Boost Grid introduces a 10 dB soft boost around 12 kHz for applications where the microphones chest-placement is preferred. Both of these grids are made of anodized stainless steel, giving a tough and scratch resistant surface. They can be detached from the microphone and cleaned of sweat, makeup, etc.
The SC4060 is small in size, but mighty in flexibility. Due to its miniature size, it exhibits an exceptionally accurate omnidirectional pattern and therefore does not need to be aimed directly at the sound source to achieve quality pickup. The omnidirectional pattern also makes it less sensitive to handling noise as well as pop and wind noise.
We originally designed this microphone for use with wireless systems in theaters but today it is one of the most loved mics for television and film applications as well. It is especially suited for capturing speech in all of its nuances and can be used to close-mike a wide range of instruments. This microphone handles sound pressure levels up to 134 dB before clipping occurs. This mic is well suited for applications where the sound source is more remote or damped and you need to have a good balance signal versus noise.
A bit about omni microphones
An omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.
Nonetheless, we recommend that you try a DPA omni first because, when used close to the sound source, the equal frequency response makes these mics a flexible addition in your audio toolbox. It will often give a more natural sound, it can handle extremely high sound pressure levels, it does not suffer from proximity effect and is not as sensitive to wind, pop or handling noise.
Flexible Adapter System
All of DPA’s microphones can be configured to run easily and effortlessly with a wireless system. We use a unique MicroDot termination on our microphones together with a changeable adapter to ensure secure configuration. All of the adapters we use are original, developed and manufactured by the wireless system brand you use. This ensures that your mic will work consistently with no connection trouble to your system.
The adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a completely new microphone. When you make the switch, you won’t hear any loss or change in sound quality.
Using an adapter for wireless, our microphones with MicroDot termination are compatible with our Sennheiser Evolution and Shure Axient Digital and UHF-R wireless systems.
If you prefer to run via a wired system, all of our mics are available with an XLR adapter.