Sony Alpha 1 II – Body Only
- Brand: SONY
£6,299.00 £5,249.17
Pre-Order Now - Usually Delivered In 1-2 Weeks
Sony Alpha 1 II – Body Only (ILCE1M2.CEC) is the ultimate tool for professional imaging, featuring Sony’s most advanced technology, including a new AI Processing Unit. It delivers exceptional 50 MP resolution at up to 30 fps with blackout-free shooting and 8K 30p video recording. Capture the perfect frame with new Pre-Capture and Continuous Speed Boosting features, and enjoy enhanced creativity with improved 8.5-stop in-body stabilisation and a 4-axis monitor. Unlock cinematic potential with S-CINETONE and in-camera LUT import capabilities. Designed for seamless professional workflows, it includes dual CFexpress slots, long battery life, high-speed data transfer, and broad expandability. Ideal for professional and enthusiast creators alike, the Alpha 1 II offers an unparalleled shooting experience across all subjects.
UNRIVALLED IMAGE QUALITY
The Alpha 1 II offers exceptional image quality with its 50.1 MP Exmor RS stacked sensor and BIONZ XR™ processor, delivering accurate colours and low noise even at mid to high ISOs. With upgraded 8.5-stop in-body stabilisation, it captures sharp images at lower shutter speeds. Two new Composite RAW features allow you to capture scenes in remarkable 200 MP resolution or reduce noise for cleaner images.
SHARPER, FASTER, AND MORE ACCURATE
Capture high-resolution images at an unmatched 30 fps with blackout-free shooting and full AF/AE tracking. Equipped with Sony’s best-in-class Real-time autofocus and an AI chip, it accurately tracks subjects even from a distance, including animals, birds, and cars in both photo and video. For professionals, the Alpha 1 II introduces new Pre-Capture and Continuous Speed Boosting features, enabling photographers to capture the perfect frame in RAW or JPEG.
PROFESSIONAL VIDEO FOR CREATORS
Capture stunning video in 8K up to 30p or 4K up to 120p with a professional 4:2:2 10-bit codec. Achieve a cinematic look straight out of the camera with S-CINETONE or customise with your own LUTs using the in-camera LUT import feature. Record in S-LOG 3 for maximum flexibility in post-production. Enhance stability and cinematic transitions with Dynamic Active and Breathing Compensation, exclusive to Sony lenses.
THE BEST SHOOTING EXPERIENCE
The Alpha 1 II offers an unparalleled shooting experience with a 4-axis multi-angle monitor, a sharp 9.44M-dot EVF with a deep eyecup, and a redesigned ergonomic grip for improved handling. Built for any environment, it includes an anti-dust system, dust and moisture resistance, and extended battery life to tackle any challenge professionals may encounter.
FAST AND RELIABLE CONTEnT DELIVERY
Designed for efficient workflows, the Alpha 1 II includes a dedicated microphone for voice memos, fast Wi-Fi, USB-C, and LAN delivery options, plus dual slots for SDXC and CFexpress Type A cards. With greater customisation for shooting and reviewing content than its predecessor, it integrates seamlessly into any professional workflow, ensuring smooth transitions between capture and remote delivery.
SUSTAINABLY BUILT AND INNOVATIVE ACCESSORIES
The Alpha 1 II introduces the BC-ZD1 dual charger, enabling fast, simultaneous charging in just 155 minutes, so you’re always ready to capture. For continuous operation, USB PD power can be supplied through the camera’s USB-C port. The new FDA-EP21 Eyepiece Cup offers enhanced viewing with a deep, soft, and close-fitting design to block out extraneous light. Built sustainably, it features Sony’s SORPLAS™ material, recyclable, plastic-free packaging, and plant-based fabrics for product bags.
Features:
- Advanced AI processing unit for high-level subject recognition: The α1 II features a dedicated AI processing unit that helps to recognise people more accurately based on human pose estimation, and also supports recognition of a wide range of subjects other than people, such as animals, vehicles and insects, with high accuracy. This results in a dramatic improvement in Real-time Recognition AF and Real-time Tracking capability, and higher overall AF performance.
- Human eye recognition improved by up to approximately 30%: Real-time Recognition AF has improved human eye recognition by approximately 30%, with human pose estimation improving recognition of subjects facing away from the camera, wearing sunglasses, or with the face obscured. Recognition of distant human subjects occupying only a small part of the frame has been notably improved, and subjects can be tracked better across occlusions.
- A wide variety of subjects accurately recognised: A wider variety of subjects is now recognised for stills and movies, with a new mode letting the camera select.5 Recognition of animals overall is improved by approximately 30%, with eyes of some small animals added, and the eyes, heads and faces of animals like dogs and cats recognised. Recognition of birds is improved by 50%3
- AF tracking response settable to match subject speed changes: Fast Hybrid AF provides 7596 phase-detection points for tenacious tracking and pinpoint focusing, now with adjustable tracking response speed, useful for example in bird photography, and in light levels down to EV-4.07 in AF-S mode.
- Flexible focus area settings: XL and XS focus area spot sizes are now available as well as L, M, and S. XS can be useful to avoid focusing on foreground objects such as branches. It is also possible to create a custom focus area of specified size and aspect ratio.
- Selectable release time lag: Selectable release time lag modes are available via the / menu. With blackout occurring on only the first image in a continuous burst, provides the shortest possible release time lag, while minimises variations in release time lag making it easier to release the shutter at the intended moment. The default setting gives no blackout when shooting is started.
- High-speed continuous shooting at full 50.1 MP8 resolution: High-speed continuous shooting at up to 30 fps with full AF/AE tracking is possible at 50.1 MP8 resolution, with up to 120 AF/AE calculations per second9. Blackout-free shooting with no loss of viewfinder image allows seamless framing and capture of the subject as if viewed with the naked eye.
- More control over timing to capture decisive moments: Pre-capture retroactively captures moments that occurred before the shutter was released1011, without compromising resolution, even when shooting continuously at up to 30 fps with selectable recording time options. Continuous Shooting Speed Boost can temporarily change the burst speed. Both features reduce the chance of missing that vital instant.
- Extraordinary detail with approximately 50.1 effective megapixels: Sony’s extensive high-performance G Master line work with the 50.1 megapixel Exmor RS image sensor and BIONZ XR image processing engine to create deep, lifelike, high-resolution rendering. The sensor’s high pixel count means that resolution is still a very impressive 21 megapixels when shooting in APS-C mode or cropping to APS-C size after shooting.
- Selectable RAW image size and quality: Compressed RAW images can be continuously shot at up to 30 fps. For easier handling, as well as L, Lossless Compressed RAW, JPEG and HEIF images are also available in M and S sizes with the same numbers of pixels whether shot in full-frame or APS-C mode, enabling seamless mode switching while maintaining resolution.
- High sensitivity, low noise, and wide dynamic range: Feedback from professionals has been taken into account to create noise reduction that is highly effective without sacrificing image detail, so users can shoot clear images of indoor sports at mid to high sensitivity without hesitation. Dynamic range at lower sensitivities is a wide 15 stops for smooth, realistic gradations.
- Consistently accurate exposure and colour: Exposure and colour reproduction are notably improved compared to the α1, with exposure optimised for detected faces in stills and movies, and exposure stability improved by approximately 20% even when the face is backlit, over-illuminated in sunlight, or not facing the camera. White balance is accurate even for subjects in shade.
- Optical 5-axis image stabilisation achieves 8.5-step performance at the centre: A high-precision image stabilisation unit, advanced gyro sensors, and optimised algorithms detect and correct camera shake, for a ground breaking 8.5-step effect at the centre and 7.0-step at the periphery14, and capture of fine details even when shooting handheld. Synchronisation with compatible lenses provides further blur control even at telephoto focal lengths.
- Composite RAW modes for lower noise and higher resolution: Two composite RAW shooting modes are available. The NR Shooting Settings mode captures between 4 and 32 RAW images that can be composited to create a full-resolution image with very low noise even at mid to high sensitivities. Pixel Shift Multi Shooting captures 4 or 16 pixel-shifted images that are composited to achieve overwhelmingly high resolution19 in a single image. In both cases the compositing operations are performed using Sony’s Imaging Edge Desktop™ PC application.
Additional information
BRAND | SONY |
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Specification
Camera type | Interchangeable lens digital camera |
Lens Mount | E-mount |
Image sensor | 35mm full frame (35.9 x 24.0 mm), Exmor RS CMOS sensor |
Number Of Pixels (Effective) | Still images: Approx. 50.1 megapixels max. Movies: Approx. 42.0 megapixels max. |
Number of Pixels (total) | Approx. 50.5 megapixels |
Colour temperature range | 2500 K – 9900 K |
Anti-Dust System | Yes |
Recording (still images) | |
Recording Format | JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format |
compliant) | |
Image Size (pixels) [3:2] | 35mm full frame L: 8640 x 5760 (50 M), M: 5616 x 3744 (21 M), S: 4320 x 2880 (12 M) |
Image Quality Modes | RAW JPEG HEIF (4:2:0 / 4:2:2) RAW & JPEG RAW & HEIF |
RAW Output | Yes |
Recording system (movie) | |
Video Compression | XAVC S: MPEG-4 AVC/H.264 XAVC HS: MPEG-H HEVC/H.265 |
Audio Recording Format | LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit)*2 , LPCM 4ch (48 kHz 24 bit)*2 |
Movie recording format (XAVC HS 8K) | 7680 x 4320 (4:2:0, 10bit) (Approx.) 29.97p (400 Mbps / 200 Mbps), 25p (400 Mbps / 200 Mbps), 23.98p (400 Mbps / 200 Mbps) |
Movie recording format (XAVC HS 8K) | 7680 x 4320 (4:2:2, 10bit) (Approx.) 29.97p (520 Mbps / 260 Mbps), 25p (520 Mbps / 260 Mbps), 23.98p (520 Mbps / 260 Mbps) |
Movie recording format (XAVC HS 4K) | 3840 x 2160 (4:2:0, 10bit) (Approx.) 119.88p (200 Mbps), 100p (200 Mbps), 59.94p (150 Mbps / 75 Mbps / 45 Mbps), 50p (150 Mbps / 75 Mbps / 45 Mbps), 23.98p (100 Mbps / 50 Mbps / 30 Mbps) |
Movie recording format (XAVC HS 4K) | 3840 x 2160 (4:2:2, 10bit) (Approx.) 119.88p (280 Mbps), 100p (280 Mbps), 59.94p (200 Mbps / 100 Mbps), 50p (200 Mbps / 100 Mbps), 23.98p (100 Mbps / 50 Mbps) |
Movie recording format (XAVC S 4K) | 3840 x 2160 (4:2:0, 8bit) (Approx.) 119.88p (200 Mbps), 100p (200 Mbps), 59.94p (150 Mbps), 50p (150 Mbps), 29.97p (100 Mbps / 60 Mbps), 25p (100 Mbps / 60 Mbps), 23.98p (100 Mbps / 60 Mbps) |
Movie recording format (XAVC S 4K) | 3840 x 2160 (4:2:2, 10bit) (Approx.) 119.88p (280 Mbps), 100p (280 Mbps), 59.94p (200 Mbps), 50p (200 Mbps), 29.97p (140 Mbps), 25p (140 Mbps), 23.98p (100 Mbps) |
Movie recording format (XAVC S HD) | 1920 x 1080 (4:2:0, 8bit) (Approx.) 119.88p (100 Mbps / 60 Mbps), 100p (100 Mbps / 60 Mbps), 59.94p (50 Mbps / 25 Mbps), 50p (50 Mbps / 25 Mbps), 29.97p (50 Mbps / 16 Mbps), 25p (50 Mbps / 16 Mbps), 23.98p (50 Mbps) |
Movie recording format (XAVC S HD) | 1920 x 1080 (4:2:2, 10bit) (Approx.) 59.94p (50 Mbps), 50p (50 Mbps), 29.97p (50 Mbps), 25p (50 Mbps), 23.98p (50 Mbps) |
Movie recording format (XAVC S-I 4K) | 3840 x 2160 (4:2:2, 10bit) (Approx.) 59.94p (600 Mbps), 50p (500 Mbps), 29.97p (300 Mbps), 25p (250 Mbps), 23.98p (240 Mbps) |
Movie recording format (XAVC S-I HD) | 1920 x 1080 (4:2:2, 10bit) (Approx.) 59.94p (222 Mbps), 50p (185 Mbps), 29.97p (111 Mbps), 25p (93 Mbps), 23.98p (89 Mbps) |
Movie function | |
Slow & Quick Motion (S&Q) | Yes |
Proxy recording | Yes |
TC/UB | Yes |
RAW Output | Yes (HDMI) |
Recording system | |
Memory Card Slot | SLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card SLOT2: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card |
Focus system | |
Type | Fast Hybrid AF (phase-detection AF / contrast-detection AF) |
Focus Point | Still images: Max. 759 points (phase-detection AF) Movies: Max. 759 points (phase-detection AF) |
Focus Sensitivity Range | EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached in AF-S) |
Recognition target (Still images) | Auto, Human, Animal, Bird, Insect, Car, Train, Airplane |
Recognition target (Movies) | Auto, Human, Animal, Bird, Insect, Car, Train, Airplane |
Other Features | AF Level for Crossing (Still) AF Track for Speed Change (Still) AF Subj. Shift Sensitivity (Movie) AF Transition Speed (Movie) Switch V/H AF Area AF Area Regist. Circ. of Focus Point Focus Map (Movie) AF Assist (Movie) |
AF Illuminator | Yes (with Built-in LED type) |
Exposure control | |
Metering Type | 1200-zone evaluative metering |
Metering Sensitivity | EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached) |
Exposure Compensation | +/- 5.0 EV (1/3 EV, 1/2 EV steps selectable) |
ISO sensitivity (Recommended Exposure Index) | Still images: ISO 100 – 32000 (expandable to ISO 50 – 102400), AUTO (ISO 100 – 12800, selectable lower limit and upper limit) |
ISO sensitivity (Recommended Exposure Index) | Movies: ISO 100 – 32000 equivalent, AUTO (ISO 100 – 12800, selectable lower limit and upper limit) |
Anti-flicker Shoot. | Yes |
Viewfinder | |
Viewfinder Type | 1.6 cm (0.64 type) electronic viewfinder (Quad-XGA OLED) |
Number of Dots | 9 437 184 dots |
Magnification | Approx. 0.90x (with 50 mm lens at infinity, -1 m-1) |
Dioptre Adjustment | -4.0 to +3.0 m-1 |
Eye Point | Approx. 25 mm from the eyepiece lens, 21 mm from the eyepiece frame at -1 m-1 (CIPA standard) |
Finder Frame Rate Selection | NTSC mode: STD 60fps / HI 120fps / HIGHER 240fps, PAL mode: STD 50fps / HI 100fps / HIGHER 200fps*3 |
LCD screen | |
Type | 8.0 cm (3.2-type) type TFT |
Touch Panel | Yes |
Number of Dots | 2 095 104 dots |
Adjustable Angle | Opening Angles (approx.): Up 98 °, down 40 °, side 180 °, rotation 270 ° |
Other features | |
Feature | Soft Skin Effect Creative Look Custom function Picture Profile Time-lapse Auto Framing Pre-Capture Continuous Shooting Speed Boost NR Shooting Framing Stabilizer |
Clear Image Zoom | Approx. 2x Approx. 1.5x (4K), Approx. 2x (HD) |
Shutter | |
Shutter type | Auto / Mechanical shutter / Electronic shutter |
Shutter Speed | Still images (Electronic shutter): 1/32000 to 30 s Still images (Mechanical shutter): 1/8000 to 30 s, Bulb Movies: 1/8000 to 1 s |
Flash Sync. Speed | 1/400 s (35mm full frame), 1/500 s (APS-C) |
Electronic Front Curtain Shutter | Yes |
Image stabilization | |
Type | Image sensor-shift mechanism with 5- axis compensation (compensation depends on lens specifications) |
Compensation Effect | Center 8.5 stops and Periphery 7.0 stops (based on CIPA2024 standard. Pitch/Yaw/Roll compensation. With FE 50mm F1.2 GM lens mounted. Long exposure NR off.) |
Mode | Still images: On / Off Movie: Dynamic active / Active / Standard / Off |
Flash | |
Flash Control | Pre-flash TTL |
Flash Compensation | +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps) |
External Flash Compatibility | Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe |
Drive | |
Continuous Drive Speed (approx. max.) | AUTO/Electronic shutter: Hi+: 30 fps Mechanical shutter: Hi+: 10 fps |
No. of recordable frames (approx.) | JPEG Extra fine L: 190 frames JPEG Fine L: 400 frames JPEG Extra fine L: 400 frames RAW: 240 frames RAW & JPEG: 200 frames RAW (Uncompressed): 84 frames RAW (Uncompressed) & JPEG: 80 frames RAW (Lossless Compressed): 100 frames RAW (Lossless Compressed) & JPEG: 86 frames |
Pixel Shift Multi Shooting | Yes (4 shots / 16 shots)*6 |
Playback | |
Modes | Enlarged display mode Protect Rating Shot Mark (Movie) Divider Frame Crop Photo Capture |
Accessibility | |
Functions | Screen Reader Focus Magnifier Focus Map (Movie) Peaking Display Subject Recognition in AF Touch Focus Touch Tracking Touch Shutter Touch AE Multi-angle LCD screen Custom function Enlarge Menu Screen |
Interface | |
PC Interface | Mass-storage / MTP |
Multi / Micro USB Terminal | Yes |
USB Type-C® Terminal | Yes (SuperSpeed USB 10 Gbps (USB 3.2) compatible) – |
Sync Terminal | Yes |
Wireless LAN (Built-In) | Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band))*8 *9 |
Bluetooth | Yes (Bluetooth Standard Ver. 5.0 (2.4 GHz band)) |
HDMI output | HDMI connector (Type-A) “3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbCr 4:2:2 10bit / RGB 8bit 7680 x 4320 (29.97p / 25p / 23.98p), YCbCr 4:2:0 8bit / RGB 8Bit” 4332×2446 (59.94p / 50p / 29.97p / 25p / 23.98p) , Raw 16bit |
Multi Interface Shoe | Yes (with Digital Audio Interface) |
Mic Terminal | Yes (3.5 mm Stereo minijack) |
Headphone Terminal | Yes (3.5 mm Stereo minijack) |
Remote Control (Wireless) | Yes (Bluetooth remote control) |
LAN terminal | Yes (2.5GBASE-T, 1000BASE-T, 100BASE-TX) |
Functions | FTP Transfer Func. (Wired LAN, USB Tethering, Wi-Fi) Send to smartphone Remote control via smartphone Remote Shooting |
USB Streaming | |
Video data format | MJPEG YUV420*12 |
Video resolution | 3840 x 2160 (15p / 30p) 3840 x 2160 (12.5p / 25p) 1920 x 1080 (30p / 60p) 1920 x 1080 (25p / 50p) 1280 x 720 (30p) 1280 x 720 (25p) |
Audio data format | LPCM 2ch (16bit 48 kHz) |
Network Streaming | |
Video data format | MPEG-4 AVC/H.264 MPEG-H HEVC/H.265*13 |
Video resolution | 3840 x 2160 (30p) 3840 x 2160 (25p) 2560 x 1440 (30p) 2560 x 1440 (25p) 1920 x 1080 (30p / 60p) 1920 x 1080 (25p / 50p) 1280 x 720 (30p / 60p) 1280 x 720 (25p / 50p) |
Audio data format | AAC-LC 2ch (16bit 48 kHz) |
Protocol | RTMP RTMPS SRT |
Audio | |
Microphone | Built-in, stereo Built-in, voice memo |
Speaker | Built-in, monaural |
Lens compensation | |
Setting | Shading, Chromatic Aberration, Distortion, Breathing (Movie) |
Power | |
Supplied Battery | One rechargeable battery pack NP-FZ100 |
Battery Life (Still Images) | Approx. 420 shots (Viewfinder) / Approx. 520 shots (LCD monitor) (CIPA standard) |
Battery Life (Movie, actual recording) | Approx. 85 min (Viewfinder) / Approx. 90 min (LCD monitor) (CIPA standard) |
Battery Life (Movie, continuous recording) | Approx. 140 min (Viewfinder) / Approx. 150 min (LCD monitor) (CIPA standard) |
Internal Battery Charge | Yes (Available with USB Type-C Terminal. USB Power Delivery support) |
USB Power supply | Yes (Available with USB Type-C Terminal. USB Power Delivery support) |
Power consumption with Viewfinder | Still images: Approx. 4.7 W (with FE 28-70mm F3.5-5.6 OSS lens attached) Movies: Approx. 7.0 W (with FE 28-70mm F3.5-5.6 OSS lens attached) |
Power consumption with LCD screen | Still images: Approx. 3.8 W (with FE 28-70mm F3.5-5.6 OSS lens attached) Movies: Approx. 6.6 W (with FE 28-70mm F3.5-5.6 OSS lens attached) |
Weight | |
Weight (with battery and memory card included) | Approx. 743 g Approx. 1 lb 10.3 oz |
Body only | Approx. 658 g Approx. 1 lb 7.3 oz |
Dimensions | |
Dimensions (W x H x D) | Approx. 136.1 x 96.9 x 82.9 mm, Approx. 136.1 x 96.9 x 72.8 mm (FROM GRIP TO MONITOR) Approx. 5 3/8 x 3 7/8 x 3 3/8 inches, Approx. 5 3/8 x 3 7/8 x 2 7/8 inches (FROM GRIP TO MONITOR) |
Operating Temperature | |
Operating Temperature | 0 – 40 ℃ / 32 – 104 °F |
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