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Sony FX6 Full-frame Cinema Line Camera
£5,394.00 £4,495.00
The Sony FX6 provides cinematic expression to professional filmmakers and freelancers of tomorrow. With a light and modular body, it seamlessly adapts to your style of shooting without compromising on video quality.
This item: Sony FX6 Full-frame Cinema Line Camera
Only 2 left in stock
£5,394.00 £4,495.00
£5,394.00 £4,495.00
Sony FX6 Full-frame Cinema Line Camera (ILMEFX6VDI.EU) provides cinematic expression to professional filmmakers and freelancers of tomorrow. With a light and modular body, it seamlessly adapts to your style of shooting without compromising on video quality. It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor.
It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX6 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus, Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a unique Variable ND filter to maintain a cinematic look and changing lighting environments for more creative expressions.
On top of its small form factor, the Sony FX6 includes a detachable smart handle and high-resolution LCD screen, heat dissipation system for long shooting hours and long battery life which makes it personable and stress-free for professional users. The Sony Cinema line FX6 is designed for the future of cinematic expressions.
Summary
- Dynamic Range: 15+ Stops
- Native ISO: ISO 800
- Lens Mount: Sony E Mount
- Recording Formats: XAVC-I
- Internal ND: Yes
- Audio Inputs: 2 x 3-Pin XLR Mic/Line
- Shutter: Rolling
- Battery Mount / Type: Sony BP-U
- Media Type: CFexpress Type A
- Resolution and Frame Rate: 4096×2160 @ 60fps Max
- Sensor: Full Frame
- Video Outputs: 1 x 12G-SDI
- Weight: 0-2kg
- Wi-Fi: Yes
Comes With
- 1x Sony FX6 Body
- 1x Battery – BP-U35
- 1x Charger – BC-CU1
- 1x Handle
- 1x LCD monitor
- 1x Grip remote control
- 1x AC Adaptor | 1x Power cord | 1x USB-C cable
- 1x LCD hood
- 1x Cold shoe kit
- 1x Lens mount cap
- 1x Handle connector cap
- 1x Warranty booklet
Additional information
| BRAND | SONY |
|---|---|
| MPN | ILMEFX6VDI.EU |
| SENSOR SIZE |
Specification
| WEIGHT (MAIN UNIT ONLY) | Approx 890g (1lb15oz) |
| DIMENSIONS (W X H X D) (INCLUDING SUPPLIED ACCESSORIES) | Approx. 2.59kg(5lb11oz) (with Viewfinder, Grip Remote Control, BP-U35 battery, SEL24105G LENS, Lens Hood, Handle, MIC holder) |
| DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) | 114 x 116 x 153 mm(4 1/2 x 4 5/8 x 6 1/8 inch) (body without protrusions) |
| Power | |
| POWER REQUIREMENTS | DC 19.5V |
| POWER CONSUMPTION | Approx. 18.0 W (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, not using external device) |
| BATTERY OPERATING TIME | Approx. 105min. with BP-U35 battery (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, not using external device), Approx. 215min. with BP-U70 battery (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, not using external device) |
| Operation | |
| OPERATING TEMPERATURE | 0°C to 40°C, 32°F to 104°F |
| STORAGE TEMPERATURE | -20°C to +60°C, -4°F to +140°F |
| Recording Format(Video) | |
| XAVC INTRA | XAVC-I DCI4K 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 24p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264, XAVC- I HD 23.98p mode:CBG, MAX bit rate 89Mbps, MPEG-4 AVC/H.264, XAVC-I HD 25p mode:CBG, MAX bit rate 112Mbps, MPEG-4 AVC/H.264, XAVC-I HD 29.97p mode:CBG, MAX bit rate 111 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 50p mode:CBG, MAX bit rate 223 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 59.94p mode:CBG, MAX bit rate 222 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264 |
| XAVC LONG | XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 35 Mbps, MPEG-4 H.264/AVC, XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 50 Mbps, MPEG-4 H.264/AVC, XAVC-L QFHD 29.97p/25p/23.98p mode:VBR, MAX bit rate 100 Mbps, MPEG-4 H.264/AVC, XAVC-L QFHD 59.94p/50p mode:VBR, MAX bit rate 150 Mbps, MPEG-4 H.264/AVC |
| Recording Format (Audio) | |
| RECORDING FORMAT (AUDIO) | LPCM 24 bits, 48 kHz, 4 channels |
| Recording Frame Rate | |
| XAVC INTRA | XAVC-I DCI4K mode:4096 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P, 24P, XAVC-I HD mode:1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P, XAVC-I QFHD mode:3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P |
| XAVC LONG | XAVC-L HD 35 mode:1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P, XAVC-L HD 50 mode:1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P, XAVC-L QFHD mode:3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P |
| Recording/Playback Time | |
| XAVC INTRA | XAVC-I DCI4K/QFHD 23.98p When using CEA-G160T (160 GB):Approx. 74 minutes When using CEA-G80T (80 GB):Approx. 36 minutes, XAVC-I DCI4K/QFHD 25p When using CEA-G160T (160 GB):Approx. 71 minutes When using CEA-G80T (80 GB):Approx. 35 minutes, XAVC-I DCI4K/QFHD 29.97p When using CEA-G160T (160 GB):Approx. 60 minutes When using CEA-G80T (80 GB):Approx. 29 minutes, XAVC-I DCI4K/QFHD 50p When using CEA-G160T (160 GB):Approx. 36 minutes When using CEA-G80T (80 GB): Approx. 17 minutes, XAVC-I DCI4K/QFHD 59.94p When using CEA-G160T (160 GB):Approx. 30 minutes When using CEA-G80T (80 GB):Approx. 15 minutes, XAVC-I DCI4K 24p When using CEA-G160T (160 GB):Approx. 74 minutes When using CEA-G80T (80 GB):Approx. 36 minutes, XAVC-I HD 23.98p When using CEA-G160T (160 GB):Approx. 185 minutes When using CEA-G80T (80 GB):Approx. 91 minutes, XAVC-I HD 25p When using CEA-G160T (160 GB):Approx. 150 minutes When using CEA-G80T (80 GB):Approx. 74 minutes, XAVC-I HD 29.97p When using CEA-G160T (160 GB):Approx. 150 minutes When using CEA-G80T (80 GB):Approx. 74 minutes, XAVC-I HD 50p When using CEA-G160T (160 GB):Approx. 78 minutes When using CEA-G80T (80 GB):Approx. 38 minutes, XAVC-I HD 59.94p When using CEA-G160T (160 GB):Approx. 78 minutes When using CEA-G80T (80 GB):Approx. 38 minutes |
| XAVC LONG | XAVC-L HD 35 29.97p/25p/23.98p/59.94p/50p When using CEA-G160T (160 GB):Approx. 430 minutes When using CEA-G80T (80 GB):Approx. 210 minutes, XAVC-L HD 50 /29.97p/25p/23.98p/59.94p/50p When using CEA-G160T (160 GB):Approx. 320 minutes When using CEA-G80T (80 GB):Approx. 155 minutes, XAVC-L QFHD 29.97p/25p/23.98p When using CEA-G160T (160 GB):Approx. 170 minutes When using CEA-G80T (80 GB):Approx. 86 minutes, XAVC-L QFHD 59.94p/50p When using CEA-G160T (160 GB):Approx. 115 minutes When using CEA-G80T (80 GB):Approx. 57 minutes |
| PROXY AUDIO | XAVC Proxy: AAC-LC, 128 kbps, 2 channels |
| PROXY VIDEO | XAVC Proxy: AVC/H.264 High Profile 4:2:0 Long GOP, VBR 1920×1080, 9Mbps |
| Camera Section | |
| SENSOR TYPE | 35 mm full-frame, single-chip CMOS image sensor |
| PIXELS | Approx. 12.9 megapixels(total), Approx. 10.2 megapixels(effective) |
| BUILT-IN OPTICAL FILTERS | Clear, linear variable ND(1/4ND to 1/128ND) |
| SENSITIVITY | ISO 800/12800 (Cine EI mode, D55 Light source) |
| SHUTTER SPEED | 64F to 1/8000 sec |
| Slow & Quick Motion | |
| XAVC-I | 1 to 60 frames (59.94/50/29.97/25/24/23.98), 4096×2160 |
| XAVC-I/L | 3840 x 2160; 1 to 60, 100, 120 frames (59.94/50/29.97/25/23.98); 1920 x 1080; 1 to 60, 100, 120, 1501, 1801, 2001, 2401 frames (59.94/50/29.97/25/23.98) |
| White Balance | |
| WHITE BALANCE MODES | Preset, Memory A, Memory B (2000K- 15000K)/ATW |
| Exposure | |
| GAIN CONTROL | -3 to 30dB (every 1dB), AGC |
| Gamma | |
| GAMMA CURVE | SDR mode : S-Cinetone, Standard, Still, ITU709, HDR mode : HLG_Live, HLG_Natural |
| Latitude | |
| LATITUDE | 15+ stop |
| Interface | |
| TC INPUT/TC OUTPUT | BNC, TC IN/OUT Switchable |
| AUDIO INPUT | Mic Reference: -30 to -80 dBu, XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable |
| SDI OUTPUT | SDI OUT: BNC, 12G-SDI, 6G-SDI, 3G-SDI(Level A/B) |
| USB | USB Type-C(x1), Multi/Micro-B (x1) |
| HEADPHONE OUTPUT | -16 dBu 16 Ω, Stereo mini jack (x1) |
| SPEAKER OUTPUT | Monaural |
| DC INPUT | DC jack |
| REMOTE | Stereo mini-minijack (Φ2.5 mm) |
| HDMI OUTPUT | Type A (x1) |
| GRIP | Minijack(φ3.5mm / 4pin) |
| Monitoring | |
| LCD | 8.8 cm (3.5 type), Approx. 2.76M dots |
| Built-in Microphone | |
| BUILT-IN MICROPHONE | Omni-directional monoral electret condenser microphone (body) (x1), Stereo electret condenser microphone (handle) (x1) |
| Media | |
| MEDIA TYPE | CF express Type A / SD card (x2), Slot B can be used for saving configuration data. |
| Wi-Fi/NFC | |
| SUPPORTED FORMAT | IEEE 802.11 a/b/g/n/ac |
| FREQUENCY BAND | 2.4 GHz bandwidth, 5.2/5.3/5.6/5.8 GHz bandwidth |
| SECURITY | WEP/WPA-PSK/WPA2-PSK |
| NFC | NFC Forum Type 3 Tag compliant |
Key Features
- Full-frame performance with high sensitivity and preset cinematic looks
- Leading-edge movie functions including Real-time Eye AF and Face Detection
- 4K (QFHD) high-frame-rate 120fps recording
- Built-in electronic Variable ND Filter
- Cinematic colour science with S-Cinetone
by Graeme Johnstone-Robertson (verified owner)
I’d heard these cameras where like hens teeth… luckily, i got mine on the day i ordered it with BPS