Atomos Ninja V 4K HDR Recorder (AO-ATOMNINJAV)
£524.00 ex.Vat £628.80 inc.Vat
Available to Order
Atomos Ninja V 5 Inch 1000nit HDR Portable HDMI Monitor/Recorder. Record up to 4Kp60 10-bit HDR video direct from your camera’s sensor, over HDMI 2.0. Store edit-ready ProRes or DNxHR on affordable SSD drives and bypass your cameras internal compression and record time limits. A tiny 1TB AtomX SSDmini will give you 2.5 hrs of 4K recording.
Atomos Ninja V
Record up to 4Kp60 10-bit HDR video direct from your camera's sensor, over HDMI 2.0. Store edit-ready ProRes or DNxHR on affordable SSD drives and bypass your cameras internal compression and record time limits. A tiny 1TB AtomX SSDmini will give you 2.5 hrs of 4K recording.
The new AtomX SSDmini is a little over 1/4 inch tall and 3" long. It is also 20% shorter than traditional SSDs, yet keeps the standard SATA III connector. It is backward compatible with previous Atomos drives by adding a clever extension handle. These tiny, slimline SSDs are a true innovation and our close drive partners Angelbird, G-technology and Sony are all making custom versions for your Atomos Ninja V!
Small Monitor made perfect:
The stunningly bright 5.2-inch 10-bit HDR monitor has an astounding 1,000 nits of output. It’s a sleek 1” (2.5cm) aluminium body,...
Atomos Ninja V 4K HDR Recorder:
The stunningly bright 5.2-inch 10-bit HDR monitor has an astounding 1,000 nits of output. It’s a sleek 1” (2.5cm) aluminium body, is crafted for maximum durability, weighs in at just 11oz (320g), and attaches to any camera rig easily.
The Atomos Ninja V screen displays a stunning 10+ stops of dynamic range in realtime from Log/ PQ/HLG signals. Clearly see your images in daylight on the near edge-to-edge anti-reflection screen. The display can be calibrated for perfect color accuracy every time, with playout to HDR or SDR TV sets.
4kp60 or HDp240 Game Recording just became fun and simple from any HDMI gaming unit. Place the Atomos Ninja V in-between your unit and the TV, and record for hours to off-the-shelf SSD drives. Auto HDR flags mean perfect TV set up every time! Show off your skills or check your game development on the most stunning video recorder ever built!
AtomOS gives simple tools for accurate set up and one-touch operation, ensuring a great recording every time. Of course, a recording isn't 100% complete until checked; AtomOS gives speedy playback, slow motion and frame-by-frame analysis for instant review.
Any production large or small needs high quality viewing. Even if you aren’t recording, the Ninja V is the best monitor available today. Audio can be input directly from the camera digitally via HDMI, or fed in analogue via a stereo 3.5mm line/mic socket – especially useful for cameras that do not have a mic input.
The recorded Ninja files are available immediately on your Mac or PC for editing. Tag while recording on the fly for direct-to-edit look-up with up to six streams, edited directly from the SSD in Final Cut Pro X, Adobe Premiere or Avid Media Composer. Video and gaming workflows are supported for the fastest path to your audience.
Enhance the Atomos Ninja V through the in-built modular expansion slot. Bi-directional high speed video, audio and power are available. Expansion modules will dock onto the battery slot of the unit and offer advanced features.
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- 1x Atomos Ninja V
- 1x Master Caddy II
- 1x 12V-3A AC power supply
|Without batteries & media||320g / 11.28oz|
|With stand||6.0kg / 13.2lb|
|Dimensions (W x H x D mm)||151 x 91.5 x 31mm|
|Construction||Aluminium alloy chassis with ABS polycarbonate back plate|
|Mounting points||1/4-20 UNCscrew mount; 1x top, 1x bottom|
|Operating power||10 - 19W|
|Compatible batteries||NP-F series and supporting accessories|
|Input voltage (battery)||6.2V to 16.8V|
|Battery time||(based on 2 x 7.4V) 5200mAh - up to 2hrs (monitor & record 4K +60p)|
|7800mAh - up to 3hrs (monitor & record 4K 60p)|
|Continuous power (Patent pending)||Continuous power with external adaptor|
|Resolution||1920 x 1200|
|Aspect ratio||16:9 native|
|Colour Gamut||REC709 HDTV|
|Look up table (LUT) support||3D LUT (.cube format)|
|Anamorphic de-squeeze||2x, 1.5x, 1.33x, Panasonic 8:3|
|Technology||SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit|
|Supported Log formats||Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,|
|Panasonic Vlog, JVC JLog, Red LogFilm|
|HDR Recording (Gamut)||Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3,|
|Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320|
|/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /|
|LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog,|
|JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm|
|Flog, PQ10k, HLG|
|HDR Monitoring (Gamma)||Sony SGamut / SGamut3 / SGamut3.cine / BT2020|
|Canon Cinema / DCI P3 / DCI P3+ / BT2020|
|Panasonic V Gamut|
|Arri Alexa Wide Gamut|
|Red DragonColor / DragonColor2 / RedColor2 /|
|RedColor3 / RedColor4 / RedWideGamut|
|HDR Monitoring (Gamut)||Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020|
|/ DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to|
|Rec709 on screen Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema|
|/ BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 / BT2020 / DCI P3 on loop out|
|Bit depth||10-bit (8+2 FRC)|
|Brightness||1000nit (+/- 10% @ center)|
|HDR input (PQ/HLG)||Yes / Yes|
|HDR output (PQ/HLG)||Yes / Yes|
|Video Input/Loop Out:|
|HDMI||1 x HDMI (2.0)|
|Signal||Uncompressed true 10-bit or 8-bit 422 (camera dependent)|
|Video Output (Play Out):|
|HDMI||1 x HDMI (2.0)|
|Signal||Uncompressed true 10-bit or 8-bit 422 (playback file dependent)|
|Supported Loop Out Formats:|
|HDMI to HDMI||720p 50/60, 1080i 50/60,|
|AtomXpansion Video Audio Power Extender In/Out:|
|Video||Up to 4Kp60|
|Audio||12 channels digital 24-bit 96KHz|
|Supported Codecs & Frame Rates (Record & Playback):|
|Video to ProRes / DNxHR||Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB|
|4K DCI; 24/25/30/50/60p|
|4K UHD; 24/25/30/50/60p|
|2K (DNx utilizes a .MOV wrapper)|
|1080i; 50/60i, 720p; 50/60p|
|Pulldown removal||24/25/30pSF > 24/25/30p (2:2 pulldown)|
|60i > 24p (3:2 pulldown)|
|4K UHD downscale for HD monitoring||Yes - Loop-out and playback|
|Audio In/Out (48kHz PCM Audio):|
|HDMI||2 or 8ch 24-bit, camera dependent|
|Audio||Line in / Mic in / Headphone out 2ch 48kHz 24-bit|
|HDMI||Auto HDMI Trigger|
|Supported Protocols - Canon, Sony, Atomos Open Standard|
|Other||LANC control - Slave|
|Playlist / Genlock / LTC||Yes / - / -|
|CDNG (Recorded content)||N/A|
|ProRes (Recorded content)||All recorded files can playback. Playback in slow motion.|
|DNxHR / DNxHD (recorded content)||All recorded files can playback. Playback in slow motion.|
|Pre-roll record||Yes (HD 8s, 4K 2s)|
|Meta data tagging||Yes (10 tags available)|
|Supported media||2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate.|
|Visit atomos.com/drives for list of tested and approved drives|
|Master caddy case||Master Caddy II (included) 75mm x 105mm x 12mm|
|Master caddy dock||2.5” SATA to USB 2.0/3.0|
|Supported applications||Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+|
|EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /|
|Autodesk Smoke 2015|
|XML support||FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools|