Effective Sensor Size
36mm x 24mm (Full Frame)
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Blackmagic PYXIS 6K Camera – L Mount
£2,910.00 £2,425.00
Blackmagic PYXIS 6K Camera – L Mount (CINECAMCPYXA60LFL) is the World’s most riggable full frame digital film camera. Blackmagic PYXIS 6K is a high end digital film camera that produces precise skin tones and rich organic colors. It features an extremely versatile design that lets you build the perfect camera rig for your production! You get a full frame 36 x 24mm 6K sensor with wide dynamic range with a built in optical low pass filter that’s been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud! It even records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time!
With multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1/4″ and 3/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable!
Blackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It’s the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video!
Blackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That’s almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic color science means you get the same imaging technology as expensive digital cinema cameras.
The large full frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality! Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality!
With 3 models, you can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world! The L-Mount model works with the latest full frame lenses from Leica, Panasonic and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice!
Comes With
- Blackmagic PYXIS 6K
- Lens turret dust cap
- PYXIS Standard Plate
- PYXIS SSD Plate
- 60W power supply with locking connector and international adapters
- Welcome booklet
- DaVinci Resolve Studio activation key
Additional information
| BRAND | BLACKMAGIC |
|---|
Specification
Camera Features
Lens Mount
Active L-Mount.
Lens Control
Iris and focus on supported lenses.
Dynamic Range
13 Stops.
Dual Native ISO
400 and 3200
Shooting Resolutions
6048 x 4032 (Open Gate 3:2) up to 36 fps
4832 x 4032 (Anamorphic 6:5) up to 36 fps
6048 x 3200 (6K DCI 17:9) up to 48 fps
6048 x 2520 (6K 2.4:1) up to 60 fps
4096 x 3072 (Super 35 4:3) up to 50 fps
4096 x 2160 (4K DCI 17:9) up to 60 fps
2112 x 1184 (Super 16 16:9) up to 100 fps
1920 x 1080 (1080 HD 16:9) up to 120 fps
Frame Rates
Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.
Off-speed frame rates up to 60 fps in 6K 2.4:1 and 4K DCI 17:9, 100 fps in Super 16 16:9 and 120 fps in 1080HD.
Focus
Auto focus available using compatible lenses.
Iris Control
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses.
Screen Dimensions
4” 1920 x 1080.
Screen Brightness
1500 nits
Screen Type
LCD capacitive touchscreen.
Metadata Support
Automatically populated lens data from electronic L-Mount lenses. Automatic recording of camera settings, motion sensor data plus slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.
Controls
Touchscreen menus on 4 inch screen. 1 x Power Switch, 1 x Record Button, 1 x Stills Button, 1 x Scroll Wheel with push, 1 x ISO Button, 1 x White Balance, 1 x Shutter Button, 3 x software configurable Fn buttons, 1 x Focus Button, 1 x IRIS Button, 1 x High Frame Rate (HFR) Button, 1 x Zoom Button, 1 x Menu Button, 1 x Playback Button, 1 x Next Clip Button, 1 x Previous Clip Button, 1 x Lock Switch.
Timecode Clock
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
Connections
Total Video Inputs
None
Total Video Outputs
1 x 12G-SDI up to 2160p60
1 x Viewfinder USB-C with power,
data, video and locking connector.
Analog Audio Inputs
1 x mini XLR analog audio in, switchable between
mic with phantom power support and line level
(up to +14dBu).
1 x 3.5mm Stereo Input.
Analog Audio Outputs
1 x 3.5mm headphone jack.
Reference Inputs
Tri-Sync/Black Burst and Timecode.
Computer Interface
USB Type-C for external drive recording,
PTP camera control and software updates.
Ethernet
1 x 1Gb/s RJ‑45 connector supporting10/100/1000 BASE-T.
Audio
Microphone
Integrated stereo microphone.
Built in Speaker
1 x mono speaker.
Media
Media
2 x CFexpress Type B card slot, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and H.264 Proxy Recording.
Media Format
Can format media to ExFAT (Windows/Mac)or HFS+ (Mac) file systems.
Supported Codecs
Codecs
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5,
H.264 Proxy in 1920 x 1080, 8-bit 4:2:0
Control
External Control
Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.
Storage Features
Storage Type
1 x CFexpress Type B
1 x high speed USB-C expansion port for external media.
Recording Formats
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at 6048 x 4032, 4832 x 4032, 6048 x 3200, 6048 x 2520, 4096 x 3072, 4096 x 2160, 2112 x 1184 and 1920 x 1080 with film, extended video, video dynamic range or custom 3D LUT embedded in metadata.
Supports recording optional portrait mode metadata for all resolutions in Blackmagic RAW and H.264 Proxies.
Storage Rates
Storage rates based on 30 frames per second.
6048 x 4032 (6K Open Gate 3:2)
Blackmagic RAW 3:1 – 370 MB/s
Blackmagic RAW 5:1 – 223 MB/s
Blackmagic RAW 8:1 – 140 MB/s
Blackmagic RAW 12:1 – 94 MB/s
Blackmagic RAW Q0 – 278 to 555 MB/s
Blackmagic RAW Q1 – 186 to 444 MB/s
Blackmagic RAW Q3 – 124 to 318 MB/s
Blackmagic RAW Q5 – 75 to 186 MB/s
4832 x 4032 (Anamorphic 6:5)
Blackmagic RAW 3:1 – 297 MB/s
Blackmagic RAW 5:1 – 179 MB/s
Blackmagic RAW 8:1 – 112 MB/s
Blackmagic RAW 12:1 – 75 MB/s
Blackmagic RAW Q0 – 223 to 445 MB/s
Blackmagic RAW Q1 – 149 to 356 MB/s
Blackmagic RAW Q3 – 100 to 255 MB/s
Blackmagic RAW Q5 – 60 to 149 MB/s
6048 x 3200 (6K DCI 17:9)
Blackmagic RAW 3:1 – 295 MB/s
Blackmagic RAW 5:1 – 177 MB/s
Blackmagic RAW 8:1 – 111 MB/s
Blackmagic RAW 12:1 – 75 MB/s
Blackmagic RAW Q0 – 221 to 441 MB/s
Blackmagic RAW Q1 – 148 to 353 MB/s
Blackmagic RAW Q3 – 99 to 253 MB/s
Blackmagic RAW Q5 – 60 to 148 MB/s
6048 x 2520 (6K 2.4:1)
Blackmagic RAW 3:1 – 233 MB/s
Blackmagic RAW 5:1 – 140 MB/s
Blackmagic RAW 8:1 – 88 MB/s
Blackmagic RAW 12:1 – 59 MB/s
Blackmagic RAW Q0 – 175 to 348 MB/s
Blackmagic RAW Q1 – 117 to 279 MB/s
Blackmagic RAW Q3 – 78 to 199 MB/s
Blackmagic RAW Q5 – 47 to 117 MB/s
4096 x 3072 (Super 35 4:3)
Blackmagic RAW 3:1 – 192 MB/s
Blackmagic RAW 5:1 – 116 MB/s
Blackmagic RAW 8:1 – 73 MB/s
Blackmagic RAW 12:1 – 49 MB/s
Blackmagic RAW Q0 – 145 to 288 MB/s
Blackmagic RAW Q1 – 97 to 231 MB/s
Blackmagic RAW Q3 – 65 to 165 MB/s
Blackmagic RAW Q5 – 39 to 97 MB/s
4096 x 2160 (4K DCI 17:9)
Blackmagic RAW 3:1 – 136 MB/s
Blackmagic RAW 5:1 – 82 MB/s
Blackmagic RAW 8:1 – 52 MB/s
Blackmagic RAW 12:1 – 35 MB/s
Blackmagic RAW Q0 – 102 to 203 MB/s
Blackmagic RAW Q1 – 69 to 163 MB/s
Blackmagic RAW Q3 – 46 to 117 MB/s
Blackmagic RAW Q5 – 28 to 69 MB/s
2112 x 1184 (Super 16 16:9)
Blackmagic RAW 3:1 – 40 MB/s
Blackmagic RAW 5:1 – 24 MB/s
Blackmagic RAW 8:1 – 16 MB/s
Blackmagic RAW 12:1 – 11 MB/s
Blackmagic RAW Q0 – 30 to 59 MB/s
Blackmagic RAW Q1 – 21 to 48 MB/s
Blackmagic RAW Q3 – 14 to 34 MB/s
Blackmagic RAW Q5 – 9 to 21 MB/s
1920 x 1080
Blackmagic RAW 3:1 – 33 MB/s
Blackmagic RAW 5:1 – 20 MB/s
Blackmagic RAW 8:1 – 13 MB/s
Blackmagic RAW 12:1 – 9 MB/s
Blackmagic RAW Q0 – 25 to 49 MB/s
Blackmagic RAW Q1 – 17 to 40 MB/s
Blackmagic RAW Q3 – 12 to 29 MB/s
Blackmagic RAW Q5 – 8 to 17 MB/s
Constant Quality storage rates quoted are indicative only.
Actual storage rates are entirely dependent on image subject matter.
Software
Software Included
Blackmagic OS
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Blackmagic RAW Speed Test
Operating Systems
Mac 13.0 Ventura,Mac 14.0 Sonoma or later.
Windows 10 and 11.Power Requirements
Power Supply
1 x External 12V power supply.
External Power Input
1 x 2‑pin locking connector.
Battery Type
BP-U
Power
11-19.5V
Accessories
Optional Accessories
Blackmagic URSA Cine Handle
Blackmagic URSA Cine EVF
Blackmagic PYXIS Rosette Plate
Physical Specifications
Environmental Specifications
Operating Temperature
0°to 40°C (32° to 104°F)
Storage Temperature
-20°to 45°C (-4° to 113°F)
Relative Humidity
0% to 90% non-condensing
Warranty
Product Warranty
12 Month Limited Manufacturer’s Warranty.
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