Sony VENICE Camera Base Set MPC-3610

Sony VENICE Camera Base Set (MPC-3610) brings professional cinematography to the next level. 6K sensor and 15 stops of dynamic range – 9 stops below and 6 stops above 18 percent grey – for beautiful images, with out of the box 4K 17:9, 3.8K 16:9 UHD capabilities and the option to upgrade to 6K 1.85:1, 6K 17:9, 5.7K, 6K 2.39:1 with firmware.

You get superb dynamic range, a wide colour gamut3 that exceeds BT.2020 colour space and this camera matches the performance of the F65 and F55.

The VENICE is a reliable partner for creativity with the ability to control via Wi-Fi. The extra shallow depth of field captures images that have the equivalent of half stop shallower than super 35mm.

Key Features 

Reliable Partner for Creativity

The VENICE is a cinema camera created by and for the cinematographer. VENICE is equipped with a newly developed full-frame image sensor meeting the needs of the film industry in pushing the boundaries of large format image capture with exceptional picture quality.

Beautiful Image

Satisfied with the current condition? With the wide latitude and gamut recorded by the VENICE, freedom of expression is significantly expanded in grading and based on established workflow.

Simple and Intuitive

Usability and reliability of the camera is one of the major concerns for operators especially in tough or time critical filming conditions. With a user friendly design, clear and simple menu navigation, and a highly durable, reliable construction, using VENICE you can simply concentrate on filming, and not the camera. 

36x24mm Full-Frame Sensor for cinema

VENICE is equipped with a 36x24mm full-frame image sensor, designed specifically for the demands and performance of high end cinematography, and can capture images up to a maximum resolution of 6048 x 4032*. By switching imager modes, VENICE can natively support Super35 24.9×18.7mm, 4096 x 3024 resolution (equivalent to 4-perforation motion picture film) and Super35 24.9×14.0mm 4096 x 2160 resolution (equivalent to 3-perforation motion picture film). In other words, VENICE’s new full-frame sensor can capture in almost any format, including full 18mm-height Super35 Anamorphic and spherical and full-frame 24mm-height Anamorphic and spherical*. Almost any aspect ratio can be conjured up: 1.85:1, 2.39:1, 17:9, the list goes on in full-frame* or Super35.

With VENICE, Sony is giving users the option to customize their camera by only enabling the features needed, according to their individual production requirements. Licenses will be available to expand the camera’s capabilities with new features including 4K anamorphic and full-frame*.

* Firmware update required

Creative freedom

Full-Frame Full width 36 mm 6K*

In full-frame, you can use the full 6048 pixel width of the sensor for widescreen spherical 2.39:1 or Large Format Scope. Full-Frame can be used creatively in a number of ways – for example, to allow for extra shallow depth of field or super-wide shooting.

* Firmware update required

Super35 full height 2x squeeze Anamorphic

For anamorphic shooting and production, Super35 full height 2x squeeze anamorphic is supported.

Super35 17:9 and 16:9

These popular imager sizes are natively supported by VENICE. Current Super35mm PL mount lenses can be used.

Fast Shutter

Jello effect is something that we don’t need when filming. VENICE has high speed readout sensor which minimizes the jello effect that are typical in the CMOS sensors.

Phenomenal latitude

VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading.

More Colours for More Expression

VENICE can exceed Rec. 2020 colour space. This means the colour range is wider than DCI-P3 and

can beautifully reproduce the true colour of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third generation LOG gamma encoding (S-Log3), and Ultra-wide colour space.

PL Lens Mount

VENICE comes with the industry-standard PL lens mount. It is compatible with all Super35 and full-frame PL lenses, spherical and anamorphic. The lens mount includes contacts that support Cooke/i Technology. Lens information is recorded as metadata frame by frame.

Lever Lock Type E-mount*

E-mount offers unsurpassed compatibility with Sony lenses. E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in most cases lens support rigs don’t need to be removed, saves time during a production.

* Firmware update required

Depth of Field

As the sensor size gets larger, depth of field becomes shallower. VENICE’s wide 36 mm full-frame sensor can capture images that have the equivalent of 1-2 stops shallower depth of field compared to Super35.*

* Firmware update required

Anamorphic Look

VENICE’s support for anamorphic lenses combined with its ability to shoot 4:3 aspect ratio at a horizontal resolution of 4K allows the capture of breathtakingly beautiful images with stunning lens flare, bokeh and emotional impact.

6K High Resolution*

The stunning full 6K resolution of the camera can be recorded directly in X-OCN (16 bit Extended tonal range Original Camera Negative) file format. Also, XAVC 4K can be captured onto SxS cards while still sampling from the full 6K resolution of the sensor.

* Firmware update required

Compact and Intuitive

VENICE has a surprisingly compact design which allows easier shooting in confined spaces or on drones. VENICE’s control buttons reflect the requirements of camera operators, carefully positioned for intuitive operation. They even illuminate for easy use on dark sets. On-set monitoring operation is further enhanced by the addition of an extra HD output alongside the standard 4K-SDI. VENICE can be powered by both 12 V and 24 V power sources that can be connected at the rear. A wide range of accessories are supported, including standard Fischer connectors. For enhanced durability in tough conditions, the viewfinder uses a LEMO connector.

Engineered to Survive

VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily. 

Easily Configurable

VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws.

World’s first 8-step Mechanical ND Filters*

VENICE is the world’s first camera of its class with a servo-controlled 8-step Mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.

* Based on Sony market search.

Intuitive and Familiar On-Set Operation

VENICE has control displays on both sides of the camera, with the main display on the camera outside for fast access to the camera settings by the camera assistant while shooting. The camera operator’s OLED mini display allows intuitive control of commonly accessed features such as ND filter, shutter, FPS, White Balance and Exposure Index. The control interface is an all-new design based on extensive researches with camera operators.

Next Generation Viewfinder

The DVF-EL200 was specifically created as the perfect partner for VENICE due to its exceptional performance and additional control features*. It has a 1920 x 1080-resolution OLED panel with exceptional high contrast, enabling precise, high resolution focusing and framing. Its all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. A rotary encoder provides instant access to brightness, peaking and contrast. The industry-standard LEMO connector offers exceptional durability.

DVF-EL200

0.7-inch 1920 x 1080 Full HD OLED panel

1920 x 1080 Full HD panel helps camera operators focus and frame their images comfortably and easily.

Brighter and higher contrast OLED panel

Thanks to the latest OLED technology, you get superb brightness of approximately 200 cd/m2, making it about twice as bright as the DVF-EL100, the previous PMW-F55/F5 viewfinder. OLED technology – a self-emitting technology – guarantees the highest contrast ratio. With no smear or blur, the viewfinder reproduces motion with high fidelity and makes it easy to focus the 4K image.

LEMO connector

The viewfinder connects to the F55 or F5 using its durable LEMO connector.

Heavy and smooth dioptre ring

The dioptre ring is heavy and smooth to make it easier to use. It also has a scale for adjustment.

Dust and splash resistance

The viewfinder is dust and splash resistant for more protection in the field.

Quick and easy attachment

The viewfinder is attached to the F55 and F5 using the CBK-55AT attachment (available separately). The CBK-55AT provides a quick and easy detachable system to remove the viewfinder from the camera.

Rotary encoder to adjust brightness, contrast and peaking level

The viewfinder has a rotary encoder and menu button on the inside. These can control brightness, contrast and peaking quickly and without having to open the camera menu display.

Improved eye sensor

The DVF-EL200 will automatically invert its OLED display when its proximity sensor detects your eye has moved away. The proximity distance is doubled compared to DVF-EL100 for improved responsiveness.

Separate viewfinder cable and attachment

In order to use the DVF-EL200 with F55 and F5, viewfinder cables and CBK-55AT attachment are required (available separately).